The language of the balance sheet

Reeds can look very awful, like angels. He looks at a pear tree, like a man, a man like a shadow, a shadow like ... He looks around with the savagery of subtlety, this savagery and subtlety marks paths between photographs, between images of light and darkness. Whether the paths are parallel and whether this statement would make sense is left to the reader, like everything. So let’s not say what’s in this book, after all, we don’t want the reader to be in the picture on the cover anymore. So enter, reader, if you dare, into this bright and dark unknown that awaits this adventure of book, images and text. The main goal of Péter Marker Esterházy's monograph-demanding study volume about Csilla Nádas Péter is to bring the discipline of art history and photographic history closer together through the diversified activities of an artist who has made remarkable works in several branches of art. . The volume also includes photographs by Péter Nádas, including a series of pears taken a year after his clinical death, as well as about 200 other photographs representing all eras of the creator of the hundreds of oeuvres, from sociophotos of the 1960s to the 2010s. to mobile photos taken at the beginning of