Artmagazin 104 - 2018/3.

Artmagazin's articles are published in the field of contemporary and classical art, focusing on Hungarian and international events, research, trends and trends. Our interest extends to border areas: fashion and design are as much a topic here as the connection points between theater, architecture and music. This number has succeeded in history, although we look at things from a somewhat bottom-up view, or at least from a different perspective than usual. For example, hunting in connection with a special museum in Paris, in which all the objects on display are related to this passion, although a red tulle cloud may appear on a stuffed deer. Canaletto is generally regarded as the perpetuation of Venice's former condition, but few know that the English played a major role in his life, even as he opened his studio in London to visitors because he had to prove that he painted his paintings. and not the Bellotto, which also advertises itself as a Canaletto. In addition to many Bauhaus historical and other additions, our interview also reveals how Károly Kerényi's wife helped Antal Szerb complete the legend of Pendragon, when he became too involved in the story: gather the characters who are already bothering him, plant it. put them on a ship and sink that ship or break out a fire (Antal Szerb finally chose the fire). We have learned that there is nothing in history, but if, fortunately, Antal Szerb survives the war, then he will probably get in touch with László Levendel, who at the Korányi Institute not only simply treated patients, but also became a special refuge for artists and widows. became. The case of Gyula Hincz, who experienced the economic crisis of 1929 on his own, is also interesting. When Herwarth Walden, at the suggestion of Hugo Scheiber, invites him to exhibit at the legendary Sturm Gallery, he has no idea that his host is about to fall into poverty, and he will be able to work in Berlin (Walden will sometimes take him to dinner) until his return home. Or look at the curtain-like installation made of stained glass on our cover, the work of Ádám Albert, which refers to the first day of May 1919, when half the city was covered in red drapes, obscuring the symbolic places of the old system. - his works. The windstorm the next day took away the temporary decoration, but so that one of the collapsing columns hit two people to death. I do not know whether we can recommend the story of the portraits of János Arany, or the book reviewing Béni Ferenczy's post-stroke era, Peter Behrens' teapots, or most of all the remaining embroidery that is still on the outskirts of Pécs. Teréz and Júlia Zsolnay, who collected motifs, and miraculously survived in spite of the various historical twists and turns, reminding us that sometimes there are periods in history when it is relatively normal. things. Although we don't cry back, Teréz was only allowed to go on these collecting trips by his father. (tt) Artmagazin No. 104 CONTENTS 4-5 ARTANZIX 6-11 Museum Krisztina Zsömbör: HUNTERS AND HUNTERS Contemporary art dialogue about nature in the Museum of Hunting and Nature in Paris 12-16 Exhibition Miklós Fáy: MOMENT! - SAYED BY CANALETTO 18-21 History of Design József Vadas: BETWEEN THE ALL MIND Peter Behrens 22-29 Interview Renáta Szikra: In the Kassák Museum 34-38 Exhibition Tünde Topor: THE COLLECTION AS A METAPHOR Pictures and Branches in the Lavender Collection 40-45 Collection History Anna Kelen: GARDEN, PARK, SEA In the Footsteps of a Forgotten Collector: Zsigmond Engelmann 46-47 Exhibition Rená Szogra from the special textile collection of the Zsolnay sisters 48-53 István Arany Hajdu: FROM GOLD, GOLD TO GOLD Part 2 54-60 Study Éva Bajkay: THE ROAD FROM BERLINI STURM to 62 BUDAPEST AUCTIONS -galaxis Gábor Martos: ONE HANDS Dorottya Gulyás: "The world can fit in your left hand" - The last creative period of Béni Ferenczy