Artmagazin 107 - 6/18/2018.

Artmagazin's articles are published in the field of contemporary and classical art, focusing on Hungarian and international events, research, trends and trends. Our interest extends to border areas: fashion and design are as much a topic here as the connection points between theater, architecture and music. ARTMAGAZINE 107. We start with Adam and Eve, saying goodbye to the summer with David LaChapelle’s photo of Eden, which traps extraordinary energies. Then, in accordance with the start of school, an interview with the new rector of the Hungarian University of Fine Arts follows to see where an institution dedicated to the training of autonomous artists is heading. Then the cover story: the woman in socialist advertising, illustrated with, among other things, Pataki's view of Fabulon. He is followed by Lajos Kozma, whose buildings, furniture and book designs are known to everyone, but because we know little about his life, they can watch him sunbathing on his deckchair or sitting at his desk in his pajamas. You can also read family stories about Frida Kahlo in an interview with her youngest sister’s granddaughter, Cristina, and interesting additions about a dynasty of Mexican photographers. After Mexico, China, with a distinctive post-cultural revolutionary image, followed by Sardinia, is an account of the ethnographic museum there, which also includes local breads, as they bake different types of bread for almost every event. We also write about Persian rugs, unearthing old oasis motifs, and then return to Mexico with Josef and Anni Albers, who developed their own pictorial systems inspired by the geometric system of the pyramids there. We jump home a bit again, just here by the Lake Balaton, to Somogytúr, where a summer painter and his family spent the rest of the year in Paris. The article about them also features Clemenceau, the then French prime minister, who then appears in the book review as a contemporary admirer of Monet's Water Lilies and an art lover who fights for their placement. We can meet art lovers in the next review as well, although Julianna P. Szűcs's conclusions are a bit of a sad ending to a song that starts even with the Garden of Eden, no matter how weird that Eden was. All this is nothing but an expulsion from the paradise of free art, but the page recommending Artmagazin Online, which directs everyone to Palermo, the biennial Manifesto, and we invite our readers to the Art Loves Design auction, which is traditionally held every year during Design Week, will also be a consolation. which can mean a particularly cheerful perspective for anyone who is art-friendly. CONTENTS ARTANZIX Exhibition Emese Mucsi: NOT NEW UNDER THE DISCO BALL David LaChapelle in Groningen Interview Renáta Szikra - Tünde Topor: OUR USE IS NOT IMMEDIATE INTERVIEW / Architecture Horányi Eve: ARCHITECT PENSIONS BED AND DRAWING TABLE Footnotes Kozma Lajos an image Szilagyi Roza Tekla: NEWBORN irony Zhao Bandi: Young Zhang Interview Horseradish Beatrix: childhood unusual sounding WIRE name DATE conversation Cristina Kahloul Museum Winkler Nora: WALK A bREAD-heaven Etnográ ai Museum Exhibition in Sardinia Renáta Szikra: PRESERVED PARADISE Tomato Persian rugs in the Metropolitan Museum Study Luca Keserű: A JOURNEY TOWARDS THE CENTER OF THE PYRAMIS Josef Albers in Mexico Memorials Gábor Martos: HORSE RIDING Kunffys and the Clemenceau Gutenberg Galaxy Topor Tünde: BIRDS IN MY STUDIO Ross King: An enraged amazement. Claude Monet and the Water Lilies Gutenberg Galaxy P. Szűcs Julianna: THE ANGEL IS IN THE DETAILS András Zwickl: From the so-called Academic School to the Extreme Exaggeration - Chapters from the History of Modern Hungarian Art 1890-1940