Artmagazin 109. - 2018/8.

Artmagazin's articles are published in the field of contemporary and classical art, focusing on Hungarian and international events, research, trends and trends. Our interest extends to border areas: fashion and design are as much a topic here as the connection points between theater, architecture and music. ARTMAGAZIN 109. The Museum of Fine Arts has reopened. It was only now that man was able to get rid of it again that it became apparent how much he had missed it during the last three years of reconstruction. We celebrate with a small, personal line-up, and we are so happy for him that we don’t even realize that our Bruegel has stayed here, even though Vienna has a huge time. There is an exhibition by Pieter Bruegel (for which our author provides fantastic additions). Related to the Budapest sensation, the London school in the National Gallery, is an article on the two main figures, Lucian Freud and Francis Bacon, and more precisely why their painting is an age limit in the history of painting, which ambitions to portray man. Our following article is also about the basic problem of painting: something that those who have not yet tried to paint or create an image may not even understand. What kind of unknown forces are born by mobilizing unknown forces, or simply by activating them. And how this process can be captured by someone who is in it. It is not an easy task, but it can be said that it is not a description of everything. Just like an unprocessed era, so is the presentation of our recent past: that, while leaving the possibility of a multi-faceted interpretation, some basic, precise description of the phenomena should still take place. The new exhibition of the Kiscelli Museum, on the pretext of the year 1971, presents the tendencies of that time. And this period also appears in our interview with the curator of Hungarian origin at the Design Museum in London. The exhibition he organizes examines our way of life today to see if it overlaps with the ideas that tried to paint the future 40-50 years ago - our present. The notions, forms and personal experiences of the present react in another exhibition, our article also deals with whether the world has changed so much that the role of the hero's mother can be fulfilled even by the father? The concluding part of our series, which presents the relationship between János Arany and the fine arts, deals with paintings, sculptures, graphics and even films that have chosen a Golden work as their theme: the call to the Tetem and the Bridgehead. We’re writing about a fantastic women’s desk designed by an Italian designer, Carlo Bugatti, the father of car designers, seen in the recently reopened Ráth Villa, which mixes styles, Byzantine, Chinese, Arabic as dense as Palermo, where Manifesta visited this year , which is also one of Europe’s cultural capitals - and is now eternal love. CONTENTS ARTANZIX Museum HELLO, BEAUTY! Exhibition Julianna P. Szűcs: THERE WAS ONLY A FUN PIETER Bruegel Exhibition in Vienna Study Eszter Babarczy: THE FACTS OF THE BODY Bacon and Freud at the National Gallery Essa Seregi Tamás reality - conversation with Eszter Steierhoffer Exhibition József Mélyi: WALL CONSTRUCTION About the exhibition Parallel Special Times 1971 Exhibition Róza Szilágyi Tekla: The Interviewed Life Péter Puklus's exhibition in the Glassyard Gallery Arany Hajdu István: GOLD portrait György Németh: FURNITURE FANTASY Women's desk from Carlo Bugatti's workshop City Topor Tünde: PALERMO MON AMOUR