Artmagazin 131 - 2021/5. song

Artmagazin's articles are published in the field of contemporary and classical art, focusing on Hungarian and international events, research, trends and trends. Our interest extends to border areas: fashion and design are as much a topic here as the connection points between theater, architecture and music. ARTMAGAZINE 131. On our cover you can see a cube from the 1974 performance film in which Rebecca Horn cuts her hair with scissors in both hands at the same time. The image still shows only a beautiful-eyed woman, but in a few moments in the film, the "legs" of the scissors will dance a few millimeters away from her eyes, which may even indicate the risk of each step out of the usual frames. The Gerhard Richter exhibition in Budapest has been here for a long time. We also analyze the Richter phenomenon, but in the meantime we publish a compilation of German contemporary (not least Richter-contemporary) artists, any of whom we would like to see in Budapest. The least of them can be said to have stepped out of the traditional women’s and arts frameworks. By the way, it would be enough to go to Vienna for Rebecca Horn, and for the exhibition of László Rajk, Little Warsaw and Andi Schmied only to Paulay Ede Street, László Rajk's former studio, which started its public operation as an Art Department. For another subjective archive, we can go to Pannonhalma, the museum of the abbey, where the collision / reconciliation of natural science and faith-based thinking takes place. At the Kiscelli Museum, we can trace the stages of a special life in a folder of selected works by artists from the European School, jumping back to a time when the works themselves had to be carried and only the energy radiating from them could be trusted in, say, Paris or anywhere in Paris. he wanted to organize an exhibition for his artist friends in another part of the world. We would like to reveal the essence of András Baranyay's art when we publish a chapter of a 1999 dissertation. The relationship between temporality, remembrance, and artistic creation unfolds quite exceptionally from this text, in which the concepts of romance and sorrow also appear, to provide the perfect backdrop for the reader to learn about a non-easy oeuvre. Then let the young people come - a real refreshment to review a series of works that are literally created taking into account each theory, concept, system. Finally, there is a list: the typology of forgings concerning the works and life history of Pál Szinyei Merse - this is the second part, in which the difficulties of judging artwork are well exemplified by the fact that even the expert himself is uncertain about some images. And the bonus of this issue: a 15th century painter, Irene, at work - about an illumination! TABLE OF CONTENTS: ARTANZIX 4 EXHIBITION Julianna P. Szűcs: The Style: Judgment 6 ARTIST Tünde - Nóra Winkler: Strong movements beyond the Richter scale. Rebecca Horn, Isa Genzken, Rosemarie Trockel, Katharina Grosse, Alicja Kwade, Maria Eichhorn 14 EXHIBITION József Mélyi: Possible coefficient 26 STUDY Gábor Szilágyi: The "magic tool" 32 PORTRAIT Vita activa - vita contemplativa. About the exhibitions of the Pannonhalma Archabbey Subjective Archive and Invisible Spectra 50 EXHIBITION Judit Radák: We look like in a cinema. The Macarius Story 60 STUDY Anna Szinyei Merse: Autumn Cleaning. Typology of Szinyei Counterfeits II. 66 GUTENBERG-GALAXIS Éva Forgács: Dimensional Changes Margit Szilvitzky: Finding the Square. Works 1968-1988 76 ANZIX Miklós Fáy 78 ARTMAGAZINE ONLINE Art Criticism on Instagram 80