Artmagazin special issue 135 - 2022/3. song

Artmagazin's articles are published in the field of contemporary and classical art, focusing on both Hungarian and international events, research, trends, and trends. Our interest also extends to border areas: fashion and design are just as much a topic for us as, for example, the fine arts connection points of theater, architecture, and music. ARTMAGAZIN ISSUE 135 Dear Reader! We are coming back with a special issue again, because a lot of missing material from that period has been collected, which first became interesting for the art trade thanks to foreign interest, and then also for the research that is becoming more and more intensive in this context. It is typical of the situation that a lot of additions emerged thanks to common thinking, if we can call it the exchange of ideas that often resembles a comment war on Facebook's excellently suited interface. These inspired András Halász's more than 90,000-character reflections, which we now edit and abbreviate, seizing the opportunity to introduce the interested reader to the author's works. We also publish an abbreviated and edited version of a thesis, which describes almost the same era from Judit Kele's point of view. This emphasizes the female aspect, which is confirmed by the interview with Katalin Ladik. The use of the body as a creative tool or as a medium emerges from this with very strong contours in the not-at-all-free conditions of the time, when the porn industry had not yet defined or deformed either the body image or the presence of nudity in the social and artistic space. . We also bring to light connections that are now almost completely forgotten: how even at the very beginning of the nineties the two sides, which now seem irreconcilably opposed, were at once, what common points can be found in the thinking of, for example, Ákos Birkás and Imre Makovecz - if at all. This can be confirmed based on Dezső Ekler's recollections. Almost all the characters we write about later taught somewhere or tried to convey their experiences to the audience in some way. But Zoltán Tölg-Molnár can claim the longest tenure as a teacher, the interview with him covers this as well, but focuses more on the works and their ideological sources. We also recommend a book, the photo-based works of Árpád Szabados - and when it comes to teaching, he should be mentioned not only as the former rector of the University of Fine Arts, but also as one of the inventors of the FAQ Workshop. Finally, an anniversary is also mentioned: where did the type of thinking that defines this special issue start, when did it start to review the history of art from a female perspective, and what a paradigm shift it was when the conditioning began that if someone is a woman, that in the forms of operation traditionally reserved for men, do not perceive it as a disadvantage, but do something about the situation. That is, when did our long march begin? TABLE OF CONTENTS: ARTANZIX 4TH ANNIVERSARY Zsanett Lépold: Feminist Psycho? Fifty years of Womanhouse 6 STORY András Halász: Withered Rose. András Halász's essayistic look back and forward 10 ARTIST/WOMAN Luca Mészáros: The female artifact. Judit Kele: I am a Work of Art 28 INTERVIEW Topor Tünde: A mystery that everyone perceives. Conversation with Katalin Ladik 42 STORY Dezső Ekler: Ákos Birkás and the architects 56 INTERVIEW Barna Szuda: I learned to appreciate all mistakes. Interview with Zoltán Tölg-Molnár 66 ARTMAGAZIN ONLINE Thematic selection 80